Roger Waters - Is This The Life We Really Want? (2017) Japan 1st press
Описание:Пятый студийный альбом Роджера
Жанр: Progressive Rock, Crossover Prog Cтрана: Great Bookham, Surrey, England Издание: Sony Records Int'l Номер по каталогу: SICP-5425 Источник (релизер): Alder Продолжительность: 00:54:15 Кодек: WavPack Битрейт: Lossless Тип рипа: image + .cue Треклист:01. When We Were Young (1:40)02. Deja Vu (4:27)03. The Last Refugee (4:13)04. Picture That (6:48)05. Broken Bones (4:58)06. Is This The Life We Really Want? (5:55)07. Bird In A Gale (5:31)08. The Most Beautiful Girl (6:09)09. Smell the Roses (5:16)10. Wait For Her (4:56)11. Oceans Apart (1:08)12. Part Of Me Died (3:14)Пятый студийный альбом Роджера Буклет в раздаче от европейского издания   
Line-up / Musicians:
- Roger Waters / vocals, acoustic guitar, bass guitar
With:
- Nigel Godrich / keyboards, guitar, sound collages, arrangements
- Gus Seyffert / guitar, keyboards, bass guitar
- Jonathon Wilson / guitar, keyboards
- Roger Manning / keyboards
- Lee Padroni / keyboards
- Joey Waronker / drums
- Jessica Wolfe / vocals
- Holly Proctor / vocals
- Lucius / vocals
Is This the Life We Really Want? (stylised as is this the life we really want?) is the fifth studio album by English rock musician and former Pink Floyd bassist and vocalist Roger Waters, released on 2 June 2017 by Columbia Records. It is his first solo album in nearly 25 years since Amused to Death (1992), as well as his first studio album in 12 years since Ça Ira (2005). On 20 April, the single «Smell the Roses» was released.
The album was recorded at various times between 2010 and 2017. The song «Déjà Vu» was debuted live in 2014 under the title «Lay Down Jerusalem (If I Had Been God)».[5] The song «Broken Bones» was debuted live in 2015 under the title «Safe and Sound».
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 73, based on 15 reviews, indicating «generally favorable reviews». Rolling Stone said: «The music is quintessential post-Dark Side Of The Moon Floyd, but channeled by offspring: Producer Nigel Godrich brings prog-rock grandeur, multi-instrumentalist Jonathan Wilson microdose psychedelia, Lucius alt-R&B backing vocals.» Drowned in Sound said the album is «a long, sprawling epic that stretches out for its slightly-padded running time, but one so full of ideas and intricacies that it’s an easy album to get sucked into.» Consequence of Sound said the album «is easily the most accessible of Waters’ solo work—a distillation in many regards of the anti-fascist, anti-imperialist, anti-greed messages he’s been broadcasting since Pink Floyd.» Pitchfork said the album’s «myriad sonic references to his work with Pink Floyd suggest that Waters is comfortable with his past. The more you accept how much his past reflects in his present, the more receptive you’ll be to this album’s charms.»
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