Sarah Willis - Mozart y Mambo (2020)
Жанр: Classical Crossover
Лейбл/№: Alpha Classics / Alpha 578
Продолжительность: 00:54:44
Кодек: FLAC
Битрейт: Lossless
Тип рипа: tracks + .cue
Треклист:Wolfgang Amadeus Mozart
01. Concerto Movement for Horn in E flat major, K.370b (5:03)
Damaso Perez Prado
02. Que Rico el Mambo (2:35)
Wolfgang Amadeus Mozart
03. Rondo in E flat major, K.371 for Horn and Orchestra (6:26)
Edgar Olivero
04. Sarahnade Mambo (Based on Eine Kleine Nachtmusik) (6:35)
Wolfgang Amadeus Mozart - Horn Concerto in E flat major, K.447
05. I. Allegro (7:08)
06. II. Romance. Larghetto (3:30)
07. III. Allegro (3:44)
Joshua Davis & Yuniet Lombida Prieto
08. Rondo alla Mambo (6:03)
Isolina Carrillo
09. Dos Gardenias (5:05)
Moises Simons
10. El Manisero (8:35) Состав:
Sarah Willis - horn
Harold Madrigal Frias - trumpet
Yuniet Lombida Prieto - saxophone
Jorge Aragon - piano
Havana Lyceum Orchestra
Jose Antonio Mendez Padron - conductor
The Sarahbanda
Havana Horns
Fusions of classical music with Cuban styles have been done before, for example, on Tiempo Libre's fine Bach in Havana release of 2009. Anyone who has twirled a radio dial (even on AM) while driving the Overseas Highway to Key West will be conscious of the fact that the long years of Soviet influence in Cuba left the country with a thriving classical music scene. That's attested to on this recording by Berlin Philharmonic hornist Sarah Willis, which features the fine Havana Lyceum Orchestra in the Mozartian part of the program, along with Cuban mambo and jazz musicians. The Mozart-mambo mixture is a difficult one, more difficult than Bach and Cuban music, for the music of the Classical era depends on periods of shifting harmonic rhythm that are antithetical to the steady beats of Afro-Cuban popular styles. Willis has plainly thought the problem through, and her proposed solution is mostly to juxtapose rather than try to fuse Mozart and the mambo. Of the ten works on the album, just two, the Sarahnade mambo (based on the first movement of the serenade Eine kleine Nachtmusik, K. 525), and the looser Rondo alla Mambo ("inspired" by the finale of the Horn Concerto in E flat major, K. 447, heard immediately before) are mixtures of the two styles, and what Willis and composer/arrangers Edgar Olivero, Joshua Davis, and Yuniet Lombida Pietro do is to snatch tunes from Mozart rather than attempt a thoroughgoing fusion. Whether it works will be up to the individual listener, but Willis's deeper question is simply that she has put Mozart and mambo together on an album and asked, why not? The Cuban pieces, including the delightful Que rico el mambo of Pérez Prado, are all enthusiastically performed by some famed Cuban musicians, and whatever one's perspective on the experiment, it's unlikely that listeners will find the album anything less than enjoyable.
Поглощение/вытеснение
Только с согласия релизера
gvm55
Время раздачи: как минимум до появления первых 3-5 скачавших