Звуковые библиотеки - Dustyroom - Static Kit [WAV]

- These samples were designed to imitate sounds and artifacts of vintage analog playback devices and machines like cassette players, VCR’s, old TV’s, record players and other unknown sources of sound.

- Inside the kit you can expect to find dozens of noise samples reminiscent of radio interference, pops, machinery hum, vinyl crackle and dust, tape hiss and other nostalgic sounding textures. Using these layers can add real world flavor and non-linearity to basically any source of audio when mixed subtly.

- All of the sounds were made using a combination of hardware and software synthesizers and creative audio processing chains, avoiding plugins that specialize in audio degradation and vinyl effects.

- Static Kit samples were created using a handful of hardware synthesizers and effects like Access Virus TI, Moog Sub Phatty, Korg Arp Odyssey, Elektron Digitone, Strymon ElCapistan; virtual signal processing like VCV Rack, Native Instruments Reaktor and Ableton Live. To make sure all the samples are as original as possible, no specialized ‘retro’ / ‘lo-fi’ / ‘vinyl’ and other vibe plugins were used — only creative chains of audio processors.

- The samples are intentionally significantly louder that they ‘should’ be — for easier audition purpose. Normally, such audio effects are blended into music very quietly.

Here are a few ways we’d use these textures.

- Mix the noises into the music — very quietly, at barely audible level.

- Layer single noises into a complex one — to have more control over frequencies of the texture.

- Add a ramp down (for example) tempo-synced tremolo with phase at 0° — for a simple percussion loop material. Static Kit noises are quiet, so increase a level to the taste.

- Chop the noises around the transitional spots of the arrangement and fade the clips in and/or out.

- Most of the noises are mono. If the width is needed, load a texture on a track, duplicate it, split the clip into halves on a duplicate track, swap the positions of the halves on the duplicate track. Pan left and right both of the tracks.

- Load a few drum samples. On a separate track add a crackling texture. Chop it and arrange it under the drums so that together they sound like sampled from a vinyl record. Resample the audio and slice the recording onto the drum pads. Or just use the resampled drums as audio clips.

- Load a convolution processor onto a track with a noise sample. Add any short chord sample or a single note snippet as an impulse response file. Lots of cool drones can be made this way. Using various noise textures results in drastically unique drones. Warning, it’s addicting.