Antonio Carlos Jobim & Luiz Bonfa - Black Orpheus (The OST From The Marcel Camus Film) (2008) [FLAC|Lossless]<Brasilian Jazz, Soundtrack>

Antonio Carlos Jobim & Luiz Bonfa - Black Orpheus (The OST From The Marcel Camus Film) (2008)

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Жанр: Brasilian Jazz, Soundtrack
Страна-производитель диска: USA
Год издания: 2008
Издатель (лейбл): VERVE
Номер по каталогу: B0012185-02

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Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:07:18

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Источник (релизер): собственный рип
Наличие сканов в содержимом раздачи: да

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Треклист:
01 A Felicidade (Guitar – Henri Crolla) 0:10
01a Bateria De Escola De Samba – Batucada 0:59
02 A Felicidade 2:35
03 Bateria De Escola De Samba – Batucada 2:51
03a Banda De Frevo – Frevo de Orfeu (Flute – Odette Ernest Dias) 1:36
04 Coro E Bateria De Escola De Samba – O Nosso Amor (Lead Vocals – Vanja Orico, Trombone [Probably] – Raul de Barros) 1:12
05 Bateria De Escola De Samba – O Nosso Amor (Accordion – Chiquinho do Acordeom) 4:22
06 Manhã de Carnaval: Aula de Violão (Guitar – Luiz Bonfá) 2:13
07 Manhã de Carnaval (Guitar – Luiz Bonfá) 1:45
07a Manhã de Carnaval - Orfeu (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos) 1:17
07b Manhã de Carnaval: Cena do Nascer do Sol (Guitar – Luiz Bonfá) 0:52
08 Manhã de Carnaval (Guitar – Luiz Bonfá) 1:34
09 Manhã de Carnaval: Eurídice (Guitar – Luiz Bonfá, Lead Vocals – Elizeth Cardoso) 3:00
10 Coro E Bateria De Escola De Samba – O Nosso Amor (Trombone [Probably] – Raul de Barros) 14:56
11 A Felicidade (Guitar – João Gilberto, Guitar [Or] – Roberto Menescal, Whistle – Agostinho dos Santos) 2:05
12 Bateria Da Escola De Samba Unidos Da Capela – Bateria da Capela 4:55
13 Terreiro De Macumba, Rio De Janeiro – Pontos de Macumba 13:03
14 Banda De Frevo – Freve de Orfeu (Flute – Odette Ernest Dias) 1:30
15 A Felicidade (Guitar – João Gilberto, Guitar [Or] – Roberto Menescal) 1:06
16 A Felicidade (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos) 2:47
17 Samba de Orfeu (Guitar – Luiz Bonfá) 1:24
17a Samba de Orfeu (Lead Vocals – Aurino Cassiano, Jorge dos Santos, Maria Alice) 1:01 Время раздачи: в будни до 15:30 по выходным стараюсь весь день

из названия понял только что это бразильский джаз... т.к. название ни о чем для меня, то интрига перевесила чашу весов подсознания и руки невольно ткнули скачать сборник. заранее спасибо, т.к. не знаю даже понравится или нет)

все кто интересуется Джазом обязаны занать Жобима!!!! ))))
все началось с "Девушка из Ипанемы", ищите!!!

BolshoeR ® , спасибо за релиз!!

ZemskovSG
morjooo
Слушайте на здоровье!

Black Orpheus (The OST From The Marcel Camus Film by Antonio Carlos Jobim & Luiz Bonfa) 1959 (2008)

Review by Thom Jurek ~ Allmusic

Black Orpheus the film by Marcel Camus, and its soundtrack, were the signposts by which the world first learned of samba and bossa nova and fell in love with it. Therefore, it is staggering to consider that it took until 2008 for a definitive edition of the soundtrack to be released, one that assembled all the songs and music heard in the film. After all, this is the score that created the partnership of composer Antonio Carlos Jobim and poet Vinicius de Moraes, and introduced the brilliant and influential guitarist Luiz Bonfá. Universal France has assembled all the sound recordings into one 17-track volume. These include the two original 45 EPs, and the 10" 33 rpm album, as well as some tracks that have never appeared before now. Given the wild success of the readily recognizable album on both LP and CD over the decades, this amounts to an entirely new hearing of Brazilian music -- bossa was emerging in Rio at the time too, a brand new genre. The sounds of the various samba schools from the carnival parades are accompanied by the gorgeous instrumental interludes by Bonfá (including the now ubiquitous "Manha De Carnaval," written with poet Antonio Mara), and the songs of de Moraes and Jobim (including "A Felicidade," as sung by Elizeth Cardoso). The songs may be well known now; the music of the favelas, as practiced by the escolas de samba with their agogo bells, atabaques drumming, stomping batacuda solos, and duels, folk line chants, and unusual (even now if one thinks about it) blend of African rhythms, dissonance, and extended harmonics, is still revolutionary today. A 13-minute encore medley by Brazilian guitarist Bola Sete that recorded in 1966 at the Monterey Jazz Festival, has been added as a bonus cut, wedding "Manha de Carnaval," to "A Felicidade," and "Samba de Orfeo." The presentation is handsome. There is an exhaustive historical essay by French scholar Anaïs Fléchet, complete discographical information, and photos. The sound quality is only fair, but considering the neglect of the original masters, it's actually remarkable.